Scientific network. Psychoimages experimental investigation proyect. Electromagnetism, video, CCD, Silica & telecommunications, biochemical, ultraviolet and infrared.
(Por F.J. Chacón, miembro de la AMIP,
Asociación Malagueña de Investigaciones Parapsicológicas)
(By F.J. Chacón, cinema and video production assistant)
last actualization: 27th November 2000
Spanish
languaje version of this page
Silica, CCD & Speed of Light & TIME travels
Realized experiments PSYCHOIMAGES GALERY
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This web is offering volunter coordination and colaboration from pioneers scientifics to do reseach into this proyect about death and subtle energies, deal with images captures at other vibration levels. Ultraviolet light, electromagnetism and organic gases plows its study ground. We send, ace driving belt, these lines for somebody, with knowledge and gear, motived to collaborate experimenting in their planetarian lands, connected by our friend Internet. From this email in Málaga, Spain, all of the works received will be coordinated and shown at this web, always trying to check or refutes the down lines enountiated hypothesis. We hope us to be a good team, with fruitful experiments, scientific and human terms, beacuse we believe that there´s nothing more important than the knowledge of "where" to be or NOT to be after death, to great step for Humanity, to break at all the veil that generated all kind of superstitions, religions and mental terrorism.
If you are interested in collaborate with us to break the veil, you doesn't have more than to study the information that we offer, and to put on hands to the work carrying out these experiments.
Any suggestion will be interesting. The brilliant idea and the intuition of our collaborators will make the rest. Among all we can put the bell to the cat. You can send us an electronic or postal mail, in which it would be convenient that it figured something on your curriculum and contact, the team or knowledge that it can contribute, and what happened, and IMAGES, the best you catch... Like Pokemons.
Electronic mail (email):
Our function in the human macrobody
The Humanity consists of two generators, gigantic bodies: one is male and the other female.
Each one of the individual human beings is a cell inside some of those two bodies. Each one has some missions that to complete so that the body to which we belong prospers and evolve adapting to the atmosphere, conquering all its obstacles and later conquering new areas. For the time being, this macroseres couple has been devoted to be caused tumors and illnesses psicosomáticas with her strange behavior and, until very recently, she has begun to think rationally.
Inside the cells of the body, the proyect FINDER is in the development of the senses of the view, the hearing and the speech. The Humanity records, reproduces, modifies and sends images and sounds communicating at distance; but has not still exercised correctly its vision and audition in other frequencies of the spectrum. In it other species follow us winning land, as the cat, the dog or the horse.
Now, the neuronal netof our macrocuerpos has wakened up with the advance of the science in these two passed centuries. Being interconnected, transmitting and receiving data among the cells, avanze exists in the great macrocuerpo. And following this idea, the cells are alive entities, with full conscience and interdependent. There is any reason for some cells that have been able to capture special images to don´t want to transmit these to the brain?
Other frequencies.
We know for less than one century that there is, evidently, other frequencies beyond our apes´felts, and we have begun to investigate and to see the universe... but what could exist in the subtle world of the one which all the religions and intuitions speak, of THIS...?
Still, anything of anything.
Everything are conjectures...
Until when?
When will the human species reach some conclusions rigorously scientist on that -up to now awild, supposed and exclusively populated religious, swindler and moonstruck- question?
Don't you find that nowalready is time to invest what there is after the death, and to where do we go when we die?
There is not another certain and more relentless thing -for now - that our human destination?
Is it scientifical to look at another side and to say dogmatically: "of course that "the other side" exist, or, what is similar so not very rigorous: "it doesn't exist, there´s nothing there?"
If we really believe that the scientific method and the REASON are worthwhile in this maremagnum of madness and superstition that the man of the XXI century has inherited, we will fight for its installation in the areas that outline a CHALLENGE of supreme importance:
Does the life exist later?
Do our relatives and friends wait for us at the other side?
Is nothing there, and when one dies everything does it end up?
Is it maybe to wake up to the Eternal Dream?
Because all what we achieve to know, scientifically, about the death and their current mysteries, it will serve us to live more completely; and if the Science achieve some day to pronounce the TRUTH, it would not be necessary to be afraid to the change of any erroneous system of beliefs imposed over the men up to now, neither we must be more lively neither to give truthfulness to none of them, any of the sign that they were.
The TRUTH, and nothing else that the TRUTH should be the great light that lights our investigation. Let us cheers for the scientific method and their intuitions, only guide in this gloom of centuries governed by the hazy Neptune and the difficult one to photograph Pluto.
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Málaga, Spain
(by Francisco José Chacón Ortiz, cinema and video production assistant)
Inscribed in the Registration of the Intellectual Property.
The camera of video of 8mm CCD is placed, in a tripod and in front of a screen of white projection that is clean and without stains. Hung beside the screen, illuminating it, a tube of black light is placed (ultraviolet), or an infrared focus, or any source of light that emits in non visible frequencies for the human eye (with near light of the ultraviolet one surprising results have been obtained) they can Also be captured very well in complete darkness. It should not have another source of light when recording, except for those already mentioned. A sequence of video of the white screen is recorded. Then, when reproducing the recorded video, the saturation and the contrast are adjusted from the television to the maximum, and the shine (brillo) to the minimum. Reproducing the recording frame to frame, all type of images appear on the screen that otherwise had been invisible.
Once recorded, you catch and digitize with a TV card in a computer, and with the help of good imaging process, you ecualize, eliminate noise, profile, and separate in color RGB channels.
The images are stains captured by the electromagnetic capstan of the video camera, views at pause frame to frame. The light of incandescent bulbs doesn't make those images visible, but rather it hide them. They need, or the absolute darkness, or the ultraviolet or infrared light to be captured. (In the areas of the screen where it impacts the light of a bulb of incandescent filament, they are not formed psychoimages.) The need of an ultraviolet illumination to become visible, is due to the near ultraviolet area of the electromagnetic spectrum in wich they are, therefore, invisible to the human eye. They belong to the range of the ultrafrecuencies. Also, for the special characteristics of the ultraviolet light in relation to their absorption for the magnetic iron and other astronomical-biological fenomenologies, it was the type of elected light to illuminate this experiment, which has been very positive and it has corroborated the first hypotheses that we had outlined in our previous meetings. Along this exhibition we will comment more in depth the topic.
During the first experience, named A, the detector of presence shot its sound alarm in form of small flicks, more and more insistent, rapids and continuous, until deriving in such a strong hoot that it coincided with its maximum degree of alarm, of luck that the fortísima saturation damaged it. He/she maybe had something to see their proximity to the tube of black light, or to the reception of some other type of electromagnetic alteration.
In the images obtained have been observed lines of force of very similar aspect to those of the magnetic fields, curves and concentrics, coming from different points of the screen. Also similar lines to the trails of cosmic rays. Sfere-ovoidal bodies has been captured. So on, serpentinian bags of anelid appearance. In very few occasions some landscape or object of the daily life is distinguished, although in a very small proportion. In short, a tower of a cathedral or bigger church, and a line and ailerons of an airplane of the type Mirage. But is not representative.
But the more faenomena that has gotten us the attention it is the great quantity of faces (!) that they appear in almost all the frames of the recording. (Each second correspond to 25 frames, and we have recorded around 50 minutes = 60.25.50 = 75.000 frames.) These faces have all a personality, features, sex, age, races and expressions individually, although they are not completely clear, due possibly to factors that we will pass to enumerate. Some are difficult to distinguish, while others are clearly human featured. As interesting note, let us see what the "Dictionary of Symbols" of Juan-Eduardo Cirlot says on the symbol "Human Face":
"... this symbol gets rich with all the inherent possibilities to the expression. Itself, the face symbolizes the `appearance´ of the psychic thing in the body, the manifestation of the spiritual life. The infinite fluctuations of the states of spirit... Symbol of the irradiation of the spiritual life in the human being, expression of their shades, the human face can be, surely, the most perfect manifestation in the visible world"... and invisible; I would say.
If the SOUL survives beyond the death of the physical body, her ID symbol and authentic visual expression would be, without a doubt, the face. Only through it can be identified a certain individual easily, and this would show it, better than the foot or the elbow, if he/she wants to be recognized.
The faces are of different sizes, as if they were located at different distances from the camera. It has an explication taking in mind the theory of relativity. More info inside this same article: Silica, CCD & Speed of Light & TIME travels
They are transparent; that is to say, the faces can almost occupy the same space, as if they were drawn on glass. It is normal, since their matter is made of electromagnetic radiation and/or gasses.
There are also faces not completely human, but humanoids or animaloids. In the chapter "Carried out Experiments" they can observe some. Experiments carried out GALERÍA DE PSICOIMÁGENES
In each frame of the pause the faces desappears, some remain but they have changed place or expression, and others have leaved to be there. It gives the impression that the obturation speed (the number of frames recorded by second, that is usually located in 25) at these psychoimages recorded, it is insufficient, because they would be moving at great speed. It becomes necessary a bigger obturation speed to appreciate their own movement better, in their natural rhythm, of these psychoimages. Maybe the high frequency of the ultraviolet zone that makes them visible to the eyes of the camera, and all this makes us think the existence of so many worlds like levels of frequency, of vibration. Following this deductive chain, it is possible that to record in appropriate continuity illuminated frames with infrared, be necessary inferior obturation speeds to the normal of 25 per second.
Keeping in mind the cuatrivector of the theory of the quantum relativity. , for, besides the three space coordinates (x,y,z), the temporary coordinate exists (t)
See this chapter: Silica, CCD & Speed of Light & TIME travels
They summarize graph of the process:
First with television to the maximum of contrast, saturation, and minimum of shine, they are observed in it pauses, passing frame to frame, the recorded images. On these lines we see the parapsychologer Francisco Ángel López, and Francisco Chacón, author of this article, writing down their observations of some measure instruments (psychogalvanometer, compass, detecting of presence, barometer, hygrometer...) and asking questions to those that had finished carrying out the oui-ja, while Álvaro Cortés governed the camera. To the bottom, the white screen illuminated by U.V.
Second: Been enlarged of an area of this video frame after elevated the saturation and the contrast, lowering the shine, standing out details and eliminating image noise. The stains on the white screen are being appreciated with more clarity, although once tried in the computer by means of the equalization process, eliminated of noise, profiled, and separation of color channels, the clarity is accentuated enough:
The image of the left is a portion of the frame previous of the video. That of the right is that same image filtered in the computer, only showing their red channel RGB, since it has been observed that according to the color channel that we select some faces they appear or others disappear.
Digitalization to whole screen, in non compressed format.
I use potent image processors, capable of:
to eliminate noise, automatic and manually equalization of the contrast (generally at the top), the shine (medium) the intensity, to profile, to separate channels RGB, and to select, to cut and to keep as new image.
At the end it is convenient to select dark areas of the image, to filter out the hidden lights.
A: The faces are the spectator's imagination that spreads for instinct to see faces in a soup of chaotic images. (In color dark greygreen, the actually conclusions) From all the chaotic textures that we have observed on purpose, natural or artificial, these video recordings are those that more quantity of faces offers with great difference. Dalí, the painter said that: "the magic of the oil paintings consists in the physical coefficients of viscosity. " It is possible that these faces are materialized when the viscosity of certain textures allows this, being the broth of electromagnetic frequencies that the video camera captures the most suitable for it. The very curious case, for example, of painter Julia Mendoza whose oils are replete of faces that arise as the painting goes drying off. Also illustrative it is the fenomenology of the faces of Bélmez, inexplicable and genuine.
b) they are impregnations from the people minds at the recording. For we would need to be carried out the experiment of recording in a screen while a group of psychics tries to form the visual thought of a determinate zener card, for example. If the phosphenic card is recorded, this hypothesis would be certain. I encourage our readers to carry out the experiment. In all ways, it seems that it would not be so easy to achieve it, and the faces recorded up to now, for their profusion and great number, would need to have been impregnated with a lot of psychic force; and for their definition, executed by a great artist, and really, those that we have intervened in them are not big psychics. Although Nicola Tesla declared, in 1933, being 76 years old: "I hope to be able to photograph thoughts." In spite of so optimistic illusions, I believe that, living in this dense material cover, it is very difficult (for not saying impossible) to the normal humans (99%) to paint effects exclusively with the thought. However, the theosophical theory (among other many), affirms that in the astral and mental planes the imagination is more powerful because it materializes real images in those levels.
c) they are ghostly beings of the astral that lean out. Attracted them by the oui-ja, those concentrated calls and the sandalwoods? Or they were already in somewhere around without coming explicitly?Really, among all the experiences, psychoimages of more faces was obtained, in natural size, along the one carried out while an ouija session was celebrate. The faces there obtained were seven bigger that those carried out without ritual some. This can confirm two things: or that the special psychic conditions of a session ouija potencies the necessary psychic force to capture the psychoimages mentally in the recording; or that the depicted entities really come closer. Up to now, in all the experiences psychoimages has appeared, although the size of them, without ouija is very small, although not its number, and in view of the images there is a multitude of faces separated by a " psychophisic" distance approximate of 50 meters, although physical and materially the screen was not located to more than 3m. In the relativity theory is said things travelling close to light speed minimice in longitude, sawn from an statical point of view... So the speediest faces in the silica´s CCD´s recording are the litlest. If the "spirits" who came to the OUI-JA session, more of them were there too, but standing on, is possible that their faces will be life-full-sized. See Silica, CCD & Speed of Light & TIME travels If they were interested in communicate with the presents aside the camera, first they must focuse with them in time and space coordenate as much they can: stay in our tune or rithm.
d) They are images of other times, futures or past. We have hope into check with security this hypothesis, although in fact some aspects, hairstyle, beards and hats of the recorded faces seem of other times. Keeping in mind the cuatrivector of the theory of the quantum relativity, besides the three space coordinates (x,y,z), the time coordenated t exists that is lineal in our physical plane, yes, this would be possible. In the case of another type of cuatridimensional coordinated, with the time coordenated made variable, the intersections of this with our space time would be punctual, maybe of second fractions, because our physical time is lineal as a train road, and constantly can be crossed by other times. Find "silica" in this article, a electroptical videocamera´s important material in wich travel in TIME is possible.
e) they are television emissions. We have not found in the psychoimaginering material anything neither nobody, that has came from the contemporary TV programs in the experiments. There is not faces of famous neither television sets. Neither landscapes. Neither it is habitual in the television programs the persistence in recording an ocean of faces without body of so different factions, ages and expressions. (Unless they rotate in direct the astral plane: ))
f) The images are formed in the same magnetic headcapstain of the camera, and not in an external place to her. This seems to be important to kept it in mind. Also in the CCD. Maybe a combination of both. I request to our readers with knowledge of electromagnetism that study this possibility, because it is very related with the phenomenon of the psychophonies.
1 to improve the quality of the psychoimages. Up to where our domestic teams have been able to take us, we have increased the definition of the psychoimages a lot using computer programs of image processing, As I had already said, digitizing in the maximum format (screen complete TV) to increase the resolution in pixels, eliminating noise, equalizing, profiling, and separating channels RGB. Professional teams and scientists are necessary to deepen more, but for the time they are outside of our reach. We have also found that, using the same parameters, some faces are shown better defined than other, that which seems to depend from intrinsic factors to the essence in the captured ways. The theosophical hypothesis and spiritualism about the astral and mental planes charge force, and we have not prooves to knock these down. Very good and advisable reading is The Astral Plane and the Mental Plane", of C.W.Leadbeater.
2 to determine their origin. To the thread of what I have just explained, the team of the spiritualists goes winning. Just as they explain the theosophers and spiritualistic, the astral plane (the directly annexed one with the physique, and superior in subtlety whose material state, is formed by electromagnetic phenomenons and quantum particles) it presents the particularity of transparency of the vision, just as they are our psychoimages that allow to see small faces after big faces, as if they were drawn on glasses.
3 to create bridges of audiovisual communication, in case of they are authentic images of beings. Up to now, the times in that some assisting person to the recordings has formulated the petition aloud toward a being, so that it poses before the camera, has been successful. Their factions have also appeared recorded in bigger size than the rest of the faces also recorded at the same time. It is necessary to continue with it and to continue experiencing, because the results endorse it.
4 to determine if the ouija has something to do with the psychoimages, or if it is indifferent. As I have already expressed above, the ouija powers the phenomenon, making that the recorded faces are of bigger size.
necessary to rebut or to verify the hypotheses and to reach the objectives: (The letter head refers to the hypothesis of which the experiment arises)
A1. To make the opposite to the process of the psychoimages: leaving of a real taking of video, clear, of a numerous group of very different people, in different planes and distances, expressions, races, etc, by means of the appropriate filters of the computer (addition of noise, gamma, threshold, tones, mixtures, etc), to reproduce the faithfully most possible thing the aspect of the recorded psychoimages, and to request to neuter people that explain what things they come in the false psychoimage, explaining to them before the such one is an authentic psychoimage of a Californian institute, for example, received by internet. Surely, it could be the case, many people would say that the diffuse faces that seem to arise are imaginations of the spectators, suggested by their hopes in the existence of life in "the further on" as they want to see. It has not still been carried out the experiment, because the recordings and distilled of real psychoimages they have been so positive and fruitful that they don't offer place to doubts as for the reality of the phenomenon, and that this is not fruit of " imaginations ", reason why we have preferred to continue investigating toward before, encouraged by the easiness, handly and perfection of the images.
It is possible with the computer to transform a picture or image of frame of real video, and to transform it so much that seems a mysterious psychoimage. Not exactly, because the psychoimage has very specific shades difficult to falsify, like kind of a dense, almost material fog that wraps the faces, and the noise and characteristic interferences of the videorecordings, and its strange transparencies mixing the faces some with other, for not speaking of its motley ones, differed so much in expressions, ages, and the presence of true multitudes... Them also have the particularity of appearing in different color channels, which complicates the enough thing. As we choose the red, green or blue channel, some psychoimages charges definition and other they are diluted, and there are even some very clear ones that appear at the same time in the three channels. They are generally in the shade areas, even of the conventional recordings, there are being very clear in files of domestic videos.
They already come from wherever they come, and they are whatever they are, this form of manufacturing artificial psychoimages can give us the key to clean the authentic ones, simply following the thread of Ari-DNA-to in contrary direction: where we put image noise, it will be necessary to remove it; where we change the threshold, it will be necessary to restore it... and this way with each made transformation of the real image. With the time we have decanted to digitize to complete size of monitor, to clean of noise, to profile to stand out detail, contrast, shine and intensity, and to separate channels RGB, following this order in how many phases is necessary, although I believe that we have arrived to the limit of what the domestic teams of camera and pc can offer.
A2 Certainly, if the psychoimages can be recorded with better quality, the hypothesis that they belong imaginations from the spectators when contemplating the soup of visual noise, it loses foundation, since the real existence would be demonstrated and captured in video format. Exactly: as the images have grown in visual quality, the faces have been made much clearer.
A3 A good prove it would be also to record at the same time with two cameras the same screen portion. Placing in the field of vision of both a visible sign that serves as sincronizer of time, to compare the images of one and another. If we find the same psychoimages in the same precisse moments, it is that the phenomenon is real. If they differ the one to the other ostensibly in the same second fractions, it is that the supposed psychoimages are due to chaotic stains in the recording supports. We have not still checked it, because we need bigger precision, limited by the team of used domestic video that is unable to synchronize in a frame the ignition of both cameras, and a device chronometer of precision to the microsecond that is visible in the recording of both cameras, of which we lack. It is for it, among other things, that we need the help in these investigations of professionals and their teams.
1 -record at different obturation speeds. For this are required few seconds of recording for each speed. Although as much as bigger speed in the obturation, the image will be captured darker.
These speeds can be 1/25 (normal: 25 frames per second) 1/60 (it reduces movements and camera tremors) Recommended a filter reducer of the exhibition in half, the NP2. 1/125, 1/250 (filming of Russian mountains and roundabouts, external in automobile. 1/1000, 1/2000(filmación of skiers, movements of balls in sport parties.)
Using a simple rule of three to associate herzs and nanometers in the vibratory extension of the acoustic and visual spectra, and basing us on the frequency of the DNA and the proteins that usually use the 260 nanometers, deducing how many herzs they correspond to this visual frequency, we have:
Human acoustic spectrum: from the 20 Hz until the 20.000 Hz.
Human visual spectrum: from the 700 nm until the 300 nm.
If the human acoustic extension is 19.980 Hz, and the human visual extension they are 400 nm, a visible extension of 40 nm (the superior and invisible difference until the 260 nm of the DNA) it would correspond at 40 multiplied by 19.980, and divided by 400, that which is similar to 1.998 Hz.
Adding 1.998 Hz to 20.000 Hz, it gives a total of 21.998 Hz, rounding, about 22.000 Hz.
To that near ultrasonic frequency we would enter in the vibration of the DNA. (It is the author's intuition, more than a proven fact that the subtle bodies are made up of clouds of nucleic acids, pirrol, and proteins) it is for it that, for those of our collaborators that have bigger means and knowledge it has more than enough ultrasounds they have based on this some -intuitive bases, I reiterate - to explore the possible communication with those suppositions beings via ultrasounds in such frequencies.
Also applying the Wheel of Color of the Zodiac, according to the Theory of the Astromúsica-color, each wheel (octave) of color begins in the red one (Aries) and it ends up in the violet (Pisces). We have that the extension of the visible light, from the red 700 nm, until the violet 300 nm, is of 400 nm. 400, therefore, belongs to 360º, a turn of the circle. To know how many degrees correspond to the 40 nm that lack until the frequency of the DNA (260 nm), coarse a simple rule of three:
If 400nm are 360º, 40nm will be Xº.
40 X 360, divided the result in 400: 14.400 / 400 = 36º
We have that at 0º of Aries (new principle of the eighth ultraviolet superior) it is necessary to add him 36 degrees; that which gives us six taurus degrees; that which corresponds to an orange ghastly color of a red one, throwing more to the red one.
That the hypothetical object to videograph has a brilliant orange red color (although invisible to the human eyes), it can mean -another possible method of improvement of the clarity - that using a screen or filter of tone dark turquoisegreen , its opposed, in the wheel of colors, six degrees of scorpius, could give clarity the strong contrast due to being complementary colors. This experiment has not still been carried out, beacuse other experiment, the total dark recording was very fruitful, as we shall see some lines toward.
But let us continue with the speed of obturation of the video that, in spite of being of 25 frames per second, it requires twice as much, since each frame is composed of two explorations: the vertical field and the horizontal one. For it the normal speed of obturation of a video camera is of 1/50.
Therefore, their normal frequency is of 50 Hz. (in the NTSC system is 60, but here we use the PAL 1/50) Because well: the video camera that can capture the frequencies of those clouds of aminoacids should shoot to a frequency of 2.000 Hz , that which we have it in domestic cameras with a called special device Shuttle, created, as we already said above, for the recording of quick events, as the shot of a bullet, or the leak of a jet of water. We end up proving the recording with those speeds, but with negative result, due to the loss of sensibility to the light that supposes for the camera whose vision is darkened too much to these obturation speeds so high. But not in total dark, within some terror faces appeared at this faster obturation velocities.
To tenor of the obtained results, if the phenomenon is genuine and not a product of imaginations, the faces that appear would be living in a world that lapses at a great speed. So quick that we cannot see it. It could be something similar to Newton's experiment and their rainbow´s circle that when rotating, passing a certain speed, transforms its seven colors visible becoming in white. It is not that they are imaginations that exist under that wheel drawer in seven colors, but rather those seven colors are, although vibrating to more speed of which our eyes can distinguish, deceived by the speed, believing that there is only a white circle, as the screen that we use to record. It is possible that when increasing the number of frames per second we can see more colors and forms. Also, when being more energetized by the speed, for effect of an induction of the Faraday´formula: "time is equal to the flow of the magnetic field multiplied with the number of spiras (arms of the spiral) divided by energy" T= nØ/E, as more energy aplied into a magnetic field, smaller time inside of it. Here we meet the three variables: briefer time, magnetic field in the video, and energy of ...whatever. These beings needs modify magnetic flow and energy to manifestate making their time and ours the same. Find "spiral" in this article.
This for the photographic workscan also be applied: Speed of shot 1/1.000. A thousandth of second. What makes the video superior than photograph in this, is the direct visualization and selection of the images, because in each second we have up to 500 images to choose, one after another continually; and in the photograph tulls it is not known when to shoot because we cannot see directly.
To record without visible light of any type. (Only with lights U.V. and I.R., or anyone) Related with this problem of the obturation speed is the frequency of vibration of the ultraviolet light. The experiments of the Russian Kaznacheyev relating to a near light of the ultraviolet one that he baptized as the Life´s Light only worked with total absence of visible light, which had, as here in our experiments, the particularity of annulling the paranormal results. Indeed: just where the reflection of an incandescent bulb in the screen was, the formations of images didn't appeared. Here we could look for the acquisition of the filter Not 18 TO Wratten Ultraviolet filter, from Kodak. So, we can record only, in exclusive, lights from the near ultraviolet spectral zone. But it is a very expensive and difficult filter to obtain. In part we have solved the problem recording the white screen that isolates the phenomenon excluding visible images that could distort us a correct perception.
So is possible -but it would be also expensive - to replace the optical of the camera, the glass lenses for quartz lenses, Silicium inside, that pass into all the ultraviolet and infrared lights, like they are the lenses that are used in espectroscopy. This problem is solved illuminating with a source U.V. more potent, or in very clear days in the sun.
It is that the glass doesn't allow to pass all the light of these frequencies, and we would need to know how much intensity of ultraviolet light it would be necessary to illuminate our invisible friends or whatever to obtain good images in spite of the three or four glasses that should cross in the optic system of any domestic camera, it stops this way to adapt it. The quality of the psychoimages would increase enough with these quartz lenses (although maybe increasing the intensity of the source of light U.V. the problem could be corrected. ?)
Indeed, it gives the impression when examining these images in the computer that they are located after a kind of a dirty glass, muddled by an excess of image noise. In all ways, the computer programs of image processing remove enough noise.After the experiments were developped, we incline to the theory of an electromagnetic, non optical, images forming. Proofs made with the camera´s optical obstructed, still presents better results than open. It must be the same basis than psicophonies: the magnetic head capstan of cassettes and videos.This reveals that live after death is a kind of electromagnetic state of being.
To increase the resolution in pixels of the psychoimages. For it, we only need to record the projection screen, increasing this way the size of the images to capture. The small images have little resolution. It is preferable to reduce to enlarge. We don't need to record the assistants neither anything external to the white screen of projection that is the place where we will see what we look for.
To improve the focus of the psychoimages.
It would be necessary to make tests in several focuses, since we don't know if the faces are in a defined and appraisable " space " in meters; or if on the contrary, for their peculiar ones characteristic dimensional and electromagnetic they cannot be focused. In all ways, we could use the automatic focus for infrareds of the cameras like experiment.
The one that this writes was able to improve enough the focus of some psychoimages interposing the fingers of the hand before the objective, to isolate and to define the faces that appeared, better by means of shades, when it already recorded in the video camera focusing the screen of the TV frames in pause of the video with the psychoimages recorded previously. Indeed, the same as the myopic ones can focus something half-closing the lids, the borders of the fingers can improve the focus of the faces a little.
I say that the possible energy in the field of angular recording of a camera in front of a television (without necessity of image feedback) they can afford big surprises. (See B at Realized experiments PSYCHOIMAGES GALERY )
D1 If they were beings of a supposed fourth dimension", they would differ of us in the " time "concept, since the three first are the width, high and long. With the result that we don't know if these images come now from other times different to our third-dimensional. The proven palpable differences of speeds between both worlds, of being could endorse this hypothesis.
B1 If they are the minds of the people present those that cause the psychoimages, you can record without anybody present. If there are not them, this hypothesis would charge force. Although Nicola Tesla declared in 1933, when he was 76 years old: "I hope to be able to photograph thoughts. Carrying out certain investigations, I realized that a defined image formed in the mind, for reflective reaction, to produce its corresponding image in the retina. (The retinina, a necessary protein in the sense of the vision, also vibrates to 260 nanometers -n.d.a -) starting from there I arrived to my television system. My idea was to use an artificial retina that he/she received the image of the observed object, an optic nerve and another retina in the reproduction place."
B2 can also make a video recording with screen in a room occupied by some animal, without human presence. Let us imagine that in the room, with the video and before the screen, we place a dog or a cat. What would it be demonstrated if the obtained psychoimages captures, without place to doubts, faces of dogs or cats? Are there animals deceased' spirits, or can the animals impregnate with their imagination or concentration the magnetic head capstan of a video camera?
C1 If they are ghostly beings, maybe that a spiritist dialogue could settle down with them and to invite them to pose in the picture in the moments in that the camera will record. If a deceased person known by the investigators, has been called to, and also they have the picture or the person's portrait when it was alive, and it is possible to capture a similar psychoimage, the success would take us to confirm the spiritualistic hypothesis -although... would it be very difficult to demonstrate that it has not been cause the own mind of the experimenters? -. This is a topic for which the collaboration of experimenters is fundamental, because parallel to this it is necessary to choose the appropriate tools of call. Maybe through modulated emisors-receivers of ultrasounds or radio waves. (Look for George Meek´s"spiricom" investigation)
I think that, supposing that this theory was certain, if they could read messages clipped on a tube of ultraviolet light, they would surely respond, because it is of logic the believing that the deads want to communicate with the alive ones.
This theory that the deads can visit and communicate with us, because they are not very far from our dimension it is, beetwin the hypotheses that we are managing here, the most beautiful. This idea is commonly desired and accepted by simple people, due to the great quantity of histories that circulate about ghosts, of those that many of our relatives and friends, and even ourselves has been witness. However, we want to work with the scientific method to understand the mechanisms that make possible this type of experiences -that exist in fact -, and to solve the tabued enigma of the existence in other dimensions. We rebel against the silence curtain that the official science has always run before something as important and so real as the death. Before science came, they were always the religious, with their fables sustained in the imposition and the empty indemonstrable faith. Now are the jeers and the scorns of some that call themselves scientifics, not being more than some presumptuous ones ignorant, lacking fertile curiosity, as dogmatic as the priests of past times.
Because we don't want to take as joke the death of any person or alive being. For anybody is a silly question to really check the irremissible disappearance of dear beings in the so worn-out sentence: "we are nothing". Then we have to hear again the -on duty- priest giving the well stablished sermon of Christ's resurrection again... And how can we call ourselves intelligent beings when we don't want to approach this enigma so drastically palpable and devastating, with a serious perspective to put an end to so many oscurantism millennia? Are we scientifics by wanting to lengthen some more years the life of the sick persons, and are we ignorants by wanting to know were do we go all of us, sick or healthy, and in less than 120 years?
Indeed: you, reader, will also die in an indefinite term. Some day you will have to think about the situation, pragmatically speaking. What would you make? You would surely go, without losing one second, if you could, to visit your dear beings (in case that you have them). The histories on this matter are extended around the whole planet. Has you never listened the testimony of some person recently deceased that visits someone of his relatives or friends before travel forever toward a place not known?
We don't seek to carry out this project without leaving, neither for a moment, to guide us with the light of the reason and the scientific method , because we are fed up with supernatural explanations and fables, made to measure of our natural human desires. We want to know and to explore what until now have been veiled with imposibilitant explanations. The human being is able to explore new territories, and in fact, in this new century that begins, we will demolish the wall of the ignorance of what is cooked in the other dimension.
Who knows if the serious investigation of this can open unsuspected possibilities to the life in this planet? Would the eternal real life be, for example, possible, the resurrection of the deads, the exploration of the Hades?
Will we be able to some day to discover that New old World?
F1 continuing with the thread of the methodology, and trying to respond to the hypothesis F "how we could be sure that the images come of outside of the camera?"
They could be formed directly on theboth: magnetic head capstan and silican CCD. We believe to be sure of it for the fact that, in the screen, the faces are only formed where bulb light doesn't arrive; therefore they were formed on the screen of white projection.
Why don´t the most of the faces appears only at one frame duration?
Perhaps these images are made of electromagnetical particles moving up or down in time.Althrough moving "down", to the past, is until now imposible in phisics, we don´t exclude this possibility.
They can move in time because they can travel in space faster than light. Tachyons. They are difficult to see by their speedy existence in space-time.
Silica is the material of camera´s CCD photodiods, and the optic fiber that is revolutioning the communications world. The computers of the future will be made of optic fiber, that is Silica, Silicium. And Silica is emploid to get the lights´ beams and transform them in electricity, in solar cells. Also in photodiods. Silica is the COMMUNICATION OF LIGHT.
But the property more interesting of Silica is the facility in communicate big bulks of data and its speed. 6Gb/second, reaching speed of light sometimes.
The Silicium is the second element more existent on Earth, after oxigen.
Has a chemical family (silanos) as long as the carbone´s (hidrocarbures).
Todays and in a future, the silicium will be the root of the electronical progress on Earth.
With optic fiber there´s no electromagnetic interference because transmissions are speed light made by waves of light. The angulation makes no reflexion for lasers.
The videocameras´ CCD are made with Silica.
The CCD, Charge Coupling Device (the eye of the camera) is the chip that see what the camera sees. It is made of 400.000 silica photodiodes, or pixels.
May be the SILICA of the 400.000 CCD´s photodiodes in the videocamera the answer?
It was discovered in 1972, when the first ccd videoimages discovered and recorded and processed the first image of the planet Uranus... URANUS!, the father of revolutionary discoveries.
In astronautics and everywhere, can use to transfer video in a speedy better way, and process it in real time.
Well: the SILICA is an amazing material that permits a particle to travel FASTER THAN LIGHT. The dark and unknown region of the Universe is made of tachyons. Cristals of silicium are quartz, amatist, opal, jasp, agatha, grains of sand... said Abraham. And transmits a very wide range of frecuencies, IR and UV included: Quartz is used in spectrographers and UV-IR cameras..
If a particle travels faster than light, if Einstein is correct, can travel in TIME, too!
As an esoteric curiosity, the twelve stoned foundations of the Holy Jerusalem, in the Revelations´Book, are all made of Silicium. "And the city has no need of the sun, neither of the moon, to shine in it: for the glory of GOD did lighten it, and the lamb IS THE LIGHT thereof.", is writen.
From the year when the magnetic head was invented by Phillips, 1932, the psychofonies were ready to appear. In 1953, 21 years after, Jungerson accidentally found it. Electromagnetic sounds by magnetic field´s transformation in electricity was recorded on a ferrotape: was his mother voice, calling him.
The CCD chip for videovision was discovered in 1972, and the first videorecording with this technique was the unphotographed before planet Uranus.
In 1985, 13 years after, the german experimenter -nodays expired- Klaus Schreiber spoke with his decesed daughter Carin by psychofonies, and she told him to buy and organize some electronic equipment, for better communication beetwin. With no significant changes, it has been the CLASSICAL method of PSYCHOIMAGING since todays:
He put a camera infront an old B/N TV, and recorded in video the pulsant flash of feedback beetwin TV and CAMERA (white image noise electrons ion canyon in screen against its feeded light in camera acting the TV as monitor of the camera. The seconds recorded are sawn in pause, moving frame to frame. SHE WAS THERE!
We are in 2000, 15 years after. The reason now is the wide communications possibilities of the Silica. Can regiter tachyons and a wide electromagnetic particles.. And the videos can pause, stop, rew and ffw the TIME... They come from the times:
Traveling in TIME.
Keeping in mind the cuatrivector of the theory of the quantum relativity, besides the three space coordinates (x,y,z), the temporary coordinate exists (t) that is lineal and uniform to climb in our physical plane upward, if it would be possible. In the case of another type of cuatridimensional coordinates (parabolic, circle ...etc), with the variable temporary coordinate, its intersections with our space time would be punctual, maybe of second fractions, because our physical time is lineal as a train road, and crossed by other times constantly. However, I have carried out an experiment in real time: the recording of a face , in when an ectoplasma appeared out from the interior of a television screen (approximately 2 seconds: 50 frames) it is a broadly proven fact that the authentic ectoplasmic materializations is fleeting, only few seconds or fractions. Even the topic OVNI is it. It is spoken of dimensional changes to explain the appearances and disappearances of this stranger fenomenology. So that a body could acquire certain material consistency, it would need bigger margin of time between the exit and entrance to our temporary, and difficult present also, to stay in its rhythm, also occupying the appropriate physical space. To control the cuatrivector (Xn, Yn, Zn, Tn) in definitive.
The CCD, Charge Coupling Dispositive, is the chip that See what the camera sees. It is made of 400.000 silica photodiodes, or pixels.
Well: the SILICA is an amazing material that permits a particle to travel FASTER THAN LIGHT. The dark and unknown region of the Universe is made of tachyons.
If a particle travels faster than light, if Einstein is correct, can travel in TIME, too!
"Cerenkov Radiation - Cerenkov detectors exploit the blue radiation given off by particles travelling faster than the speed of light in that medium. Various gases are used to tune when the radiation is given off and the size of the cone around the particle's direction which contains the light. http://www.fnal.gov/pub/hepdetect.html "
Here is a very representative photo of some particles
dissapearing through spirals, from the windows 98´s themes "Science":
Here is a graphic.
In the right coordenates, time in seconds.
Up, x space. Meters.
Left, y space. Meters.
Z of space is not precised, but constant for reduction from four to three.
It represents an animate (souled) drawing of an spiral. As the point in space desarrollates the draw, the time coordenate converts it in a spiral cone, where the center and finest point at the top of it. Using other time range of velocity, the same draw changes in hight. In fact, the cones of the same spiral shows different spectrums of frecuencies, from low to high. The same picture drawn in four seconds will be four times higher than the one drawn in one second, four times lower.
If in this point is aplied an electromagnetic field, like the camera head recorder, the point of aceleration of the spiral makes the particles get velocity in time (not in space), and a black hole takes place. Is not a materializer´s travel; but TIMER. Space-Time Ripples. Rippled cones in the fabric of space-time...
"Like black holes in the sky".
The spatial planes, differents by time coordenate, can´t cohexist if time is moving. Two objects traveling up or down the time line, althrough staying at the same spatial point, only can converge if they converge at the same time point (the same seconds). But for stay "for a time", they must move at the same time velocity. TIME VELOCITY. The time can be changed. But is always linear?Outside of the planetarian system we are, will be for human material flesh another time velocity? Will be fixed as our on Earth?
Here is another example: a car´s passanger that only can see the exterior from a lateral window. The movement of the cars is a simil of timeline. The window is a simil of three spatial coordenates. If the cars go quickly is hard to distinguish the objects images crossing by the passanger' sight, neither been by his side. As more quickly, more invisible is everything for him. To see something clearer, the objects and the passanger´s car must move at the same speed, and be aside, over a nearby common space. People sees one each other because they live along the same timeline, at the same speed. The first car, at 100 Km/h, is sawn crossing the 1m car´s window only 0,036 seconds. The eye of the passanger needs to accurate its nervous system to see the car1 at that velocity. The second car done it at 10 km/h, so the lapse of time the car2 could be sawn by our passanger is ten times superior: 0,36 seconds. If our passanger would be a camera, with its 25 images per second obturator (one image every 0,04 seconds). So, in a second of this camera recording, only in one frame could be the car1 recorded. This may demonstrate the trifling of the most of the psychoimages if they are traveling through TIME. (find "Faraday" formula about the possibility of time change.)
But for travelling in time, they must take a speed higher than light.
It´s said in relativity theory that mass becomes heavier when approachs this velocity. It would incapacite any space´s ship to mantein this velocity. But, if this beings are made with antimatter...? Perhaps, on the contrary, antimatter decreases in mass when speed higher than light. Is possible that the ecosystem of antimatter is the dark zone of superluminal particles, invisible and until nowdays unexplored.
This is a small outline of the electromagnetic spectrum understood among the ultraviolet and infrared frequencies. The visible one is in the center, really very small in relation to the immensity in ways in that Light is manifested in the Nature; that is to say, the universal Light´s vibratory levels. The measure of the wave longitudes comes express in nanometers
U.V hole Distant UV near UV visible IR <________________'_____________________'_________________' ' ______> 100 nm 200 nm 300 nm 700nm
The Egyptians considered sacred the star Syrius. Orisis proceeded from her. Its exit before the sun by the middle of July marked the principle of the year starts their calendar.
It is in fact, the most brilliant in the universe. It shines 500.000 times more than our Sun. Is also her ultraviolet radiation the one that more shines of all. Their main radiation is of 250 nm, the germicide.
This radiation is used, for example, in the hairdressers to disinfect the combs, brushes and scissors. There is even a method to purify the organism that consists on a cleaning of the blood filtering it in a light ultraviolet germicide of this type. The curiosity is given that the near ultraviolet light, from 200 to 280 nm is germicidal. The cultivations of cells subject to this light stop or slows their growth. However, exposed to infrared light, more quickly grows. The same raisin with the fetuses of the mammals. Therefore these two lights act on the materialization of biological entities, accelerating or slowing it. The experiments of the Russian Kaznacheyev with cultivations of cells illuminated by a certain longitude of near wave of the ultraviolet are totally paranormals.
It is not a ionizing light, but it stimulates atoms, ENERGIZING THEM. (Formula of the time, the energy and the magnetic flow of Faraday). In fact, it produces chemical reactions in proteins nucleics acids, and these are discovered espectrographically for their irradiance in the near ultraviolet, more concretely environment to the 260 nm.
It also makes react the melanina, becoming brown... but the continuous overexposure originates skin cancer.
The electromagnetic radiations of the ultraviolet field usually take place also in certain biochemical substances making fluoro-phosphorescent emissions. (Ultraviolet-visible Espectroscopy of compound biological. Manuel Cardinal Rojo Pineda Jacobo. Cajasur 1988) Have substances of great importance so in the chemistry of the life like nucleic acids, the proteins and the vitamins are intimately related with the near ultraviolet that emits Syrius. The Genetics. The Egyptians called it the Star of the Dog (Anubis). This god was the one in charge of guiding the souls of the deads. A small tunnel that leaves the camera of the faraoh of the pyramid of Keops says that it is aimed to the Syrius star directly. (A tunnel... is not what is said that we go across when dying?)
The hieroglyphic of the word " Magic " in old egipcian consists on two arms, the right and the left one, and two crisscross curved lines as a chain of DNA. With little that one imagines, here it is read: "manipulation of the DNA." Light of the nucleic acid, the Light of Syrius?
Also (it notices important) the ultraviolet absorption of the specific -compound porfirinas of the blood - it is very intense, presenting a strong fluorescence red characteristic and identificative. (Biochemical Cantarow-Shepartz. Ed. Interamerica 1969)
The physical properties of the iron like unbeatable driver of the magnetism and also as absorvente of ultraviolet light is totally involved in all of this.
The iron creation in the nuclear fusion into the stars is the beginning of the process of death into them. The spectrum of the solar light is the photographic negative of the spectrum of the iron. Both things are antagonistic: the Sun gives life and the Iron, death. The light of the Sun has some bands that are those of the hydrogen. In the iron they are their photographic negative. It means that the iron is also the opposed pole to the hydrogen. The hydrogen emits ultraviolet; the iron absorves. The ion of iron into the nucleus of the hemoglobin of the blood, acts as a condenser of ultraviolet energy. For this reason the head capstans and magnetic tapes of cassettes and videos can capture luminous or acoustic energy from the further on.
From the year when the magnetic head was invented, 1932, the psychofonies were ready to appear. In 50´tys, Jungerson accidentally found it.
And until here the small explanation in which have traced the basic lines of the investigation of this curious phenomenon of the psychoimages.
From here, that is our desire, we want to encourage to all those people with scientific curiosity to check and improve it for themselves, and offering to coordinate the experiences and knowledge of the such through email,
so that everything is for the good and the evolution of the mankind and animal, and of the planet in general.
Let us know before having to leave with no return to.
Do you imagine how a Humanity could be with that knowledge?
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Cemetery Parcemasa, Málaga. Noon. Sunny.
Digitalized video image of the funeral of a woman, M., malagueña journalist very well-known in the means. In concrete, the frame in the one that, interviewing to a very his friend, she declares: "I know that M. is here. It is TRUE." In the moment in that her friend says the word TRUTH, a great interference arises in the video. The frame was digitized, and they were obtained, surrounding the interviewee, and on a wall illuminated by the direct light of the sun, several psychoimages. The process was in these to invest the positive image and to select the picks of more potent color frequencies in the selections of the wall, once fling a glance to the motives stains observed on the flat wall of the church where it had been the burial.
It was one of the first experiences, through a deceased's great friend, and her husband that kindly lent us the tape with the recording of the video.
The green image looks like, according to friends´ of her comments, to the deceased when she was young. The other image is the 3d effect that demonstrates the relief and the illumination of the facial features.
The mustache man, wearing americana and tie, resembles a deceased's very good friend, deceased two years before.
A baby's face is also observed, surrounded by strange beings, as canine, and a beautiful girl.
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May 2000 24. of 19 at 24 hours
files A
Place: house of M. Floor 13º. Clean and orderly. Living room of the house. Some bulb of lit table to about 4 meters. Tossed curtains, closed windows.
Digital camera SONY Tru66. Normal speed. Tripod. Screen of pearly projection. Connected camera to video-recorder VHS. Tube of black light CANLUX, of 20 to 40 Wtts. Myrrh sahumerium. Blessed water. Session of OUI-JA with kinetic results and familiar and extraterrestrial contacts.
Image treatment: visualization in pause of the camera and video vhs. Digital capture and selection of images in the PC. Formats BMP, JPG, PCX and GIF. In computer processing images´program, options contrast, shine, gamma, tone, range of colors, equalization, to remove noise, to separate channels RGB, to profile diffuse adaptative mask, to focus, to profile, to stand out details.
Results: several faces of women are appreciated, men of several sizes, ages and races. Some type neardenthal. Medium-big size (of 5 to 20 cms).
Why the faces are differents in each frame? There are some of them that remain over some few frames, but disappearing muffled by some electromagnetic clouds, in which biological-geometric patterns can sometimes be observed.
I attribute this trifling to the speed of normal obturation (25 images per second) Maybe if we record with a high speed (1/2000 of the video camera) we could observe the level quicker vibracional of the ultraviolet one, another dimension of frequency. To this speeds we could appreciate the movement of their faces. Incorrect supposition: in later experiments, the highest speed in recording doesn't suppose a permanency of the same faces. Be maybe necessary an even superior speed, or the hypothesis is incorrect. Find in this article, the word "cuatrivector". It means a more beautiful hypothesis.
The certain thing is that a new idea, arisen after the fourth experiment will tell us the reason.
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June 11 2000 22 hrs.
files B
Place: laboratory.
Exposed selection of images vhs of the previous experience, in pauses, in an old 70´s television SONY black and white B/N, recorded in front of her by a videocámara SONY ccd V200E mounted in tripod, is observed:
1 - that the faces are better focused when before the objective we place both hands making game of shades to enhance the light and shade and framed of the faces, although the resolution of the resulting re-recording is professedly inferior.
2 - that appeared (and this is recorded in this camera, and digitized in a PC) a small one shatters pulsar of brilliant greenish color that sparkled in a rhythm.
Its rithm, measured in video fotogrames is: 2 frames lighning, 3 frames in dark (lit two frames, turned off three frames). 25 frames per second divided by 5 (2+3) is 5.
A frecuency of 5 Hz.
Very curious it was the fact that, in the darkness -without light U.V. -, after being more than half hour recording with the camera frames of the video in the screen of the tele, and putting my hands before the objective, the such pulsar starappeared in the finder of the camera, of greenish tones, that was moving along one minute over my finger, and repently goes up flying to the wall.Then, when I followed it with the tripod I recorded how that starlet left stumping until also forming a cloud greenish in whose are formed they glimpsed many faces.
Of among such a cloud, he was formed, already almost in the roof, a big face to which were illuminated the factions to intervals of 1 frame.
When freezing the image, he appears defocused a little, although when seeing it to normal speed in the video, it is appreciated perfectly how it is a face of green splendors.
Around her there is as a flapping of gray vibrant pearl. Also in that species of greenish cloud many faces appear, packed giving form to the cloud.
In this fotograma he/she is, as clearer, the following geminian faces:
This phenomenon is something really strange that I -possibly attribute - to the materialization of some energy phosfenic or photovoltaic due to the angular field between camera and television. (in a similar principle, although of feedback, the classic instrumental trancomunicaciónT.C.I. is based) The frequency of the gleams of the tiny pulsar went from 5 Hz, basing me on an approximate calculation counting the number of dark and brilliant video frames. The focal distance (from the screen of the TV until the CCD (find of the camera) it was approximately 70 cm, and the width of the screen surface, 24 x 17 cm2.
Friends Álvaro Cortés and Francisco Ángel López commented and show me how the emission of an infrared ray of a control at distance toward the CCD of the camera causes a very similar gleam to the star initial pulsar. May be our recorded phantom was an emission of something IR.
They suggested me that such a star could come from the originator infrared autofocus of the camera But... Why is reflected over my fingerprints? And the faces? And that great illuminated face as a fair attraction, and in direct, real time, moving and making expressions? And the fact that the star moved with my hand, as if the little pulsar were sited on it?
Then I´ve proof seeing frame to frame the recording that the star arose out from the spiral in the my fingerprints. I reminded the page web of the great geometer of the DNA and the number Phi, Dan Winter, in which is explained how the energy can be materialized and desmaterialized through the spiral form, according to its rotation sense, antihoraria and horaria, respectively.
The transitions of atoms can cause phosphorescence or fluorescence. This is what could have happened when the camera in front of the television materialized an ectoplasma: the radio-active field between both apparatuses made visible in phosphorescence a cloud-star type púlsar.
Cathodic rays, phosfors, electrons and photonsleft the old tv. Maybe it was lit the focus of ray infrared of the camera. Maybe it feedback causing the appearance of the pulsar, that was in motion because it was posed in my finger, on the hairspring of having felt antihorario, materializer that I have in him.
The antihoraria spiral in the left hand densifies the subtle thing in material, (to IR), it is materializer.
The spiral horaria in the right hand dispels the material thing in subtle (UV), it is desmaterializer.
The tubes of cathodic rays have up to 25.000 volts.
What or who was materialized before the eye of my camera, and in such a patent way?
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June 2000 23
Files C
Third experiment. House of M.Salón with tossed curtains, out lights, closed glasses. Clean and comfortable.
The owner of the house called, mental -no vocally -, to his relative deceased and he requested her to pose before the light of the tube, after a brief relaxation of the presents. Myrrh Sahumerium.
Projection screen, the same one.
Ultraviolet tube, the same one.
Two cameras:
Digital -SONY Tru66 Hi8. It recorded in their own cassette Hi8. Speed normal obturation.
-Sharp zoom 8mm autoiris. (recording VTR VHS). Speed of obturation 1/2000
The cassette of the camera 8mm. P5-60 Phillips.
This time, to increase resolution, it was only in frame a portion of the screen, including the tube of black light in the left side.
Results:
They were observed in the two simultaneous recordings the formation of the same type of contained psicoimaginativo in both:
big faces anthropomorphous, although difficult of defining, because they give the impression of being floating in the air and being you reveal.
2. human faces of medium size and in second plane; and an immensity of small faces upholstering the floor of the landscape that seems to be to the bottom. Their focus is better, and its back lightings and reliefs appear much clearer.
The faces of the bottom, surprisingly, demonstrated a hypothesis that I made myself before some days: Does psychoimages of animals exist?
Indeed: there was an enormous quantity of animals of very different races, even of races that they cannot cohabit to each other: three varieties of simians, a lion, a puma, rabbits, one sends of foxes and another of wolves, inserted by human faces of all type, some anthropomorphous ones, neardentaloids. Onlooker is to point out that while this was recorded, in the acoustic registration of the videocámara it is heard a dog from a near terrace to bark talkatively.
This motley fauna cohabited without violence some, very together, hunters and victims in power, as if they were in a great meeting point. Don´t this sounds from Issaiah prophecies?
Conclusions:
Up to that experiment - July 5th 2000 - it has been a continually demonstrated variable, the fact that these faces are observed can´t be atribuited to the chance, because its multitude.
However, too much chance has been thousands of frames of video recording last days: That image of a motley surface of human faces appears in all the takings.
We can appreciate in the part superior centralleft, a propagation of waves in concentric circles, effect stone throwed to calm waters.
In this, a male lion, a panther, a bear, and a flock of foxes, can be observed besides some apes´ faces.
Semibig faces are also observed:
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June 29th 2000
Files D
Place: at home of Ma. Landscaped bungalow. A dog, a rabbit, and the family landlady live.
The children's bedroom. (to be the only piece of the house that we could record on totally in the dark.)
Camera SONY ccd V200E in tripod. Tube black light. There was not screen: we put a table of white formica wood. Myrrh.
We concentrate some minutes.
Ma. She concentrated and she called in loud voice to an extraterrestrial one his friend for his name. She asked him to put beside the tube of black light for we made a portrait of him with the videocamera..
Results:
In short, the most curious thing is that indeed, beside the tube of black light it was one of them, very illuminated for the light, with the very open eyes, and he seemed to smile us.
They continue being seen as the bottom, a carpet of heads. In this case they are all people, but only their heads appearing enters kind of a mash soup. They are faces also very small, hundred. The vision is a really extrange.
Also appeared in a frame the image of a classic Greek that remembers the statues of Zeus. He was seated beetwin the carpeted landscape of heads:
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3 of Julio 2000
Files AND
Place: laboratory.
To cover the objective of the camera, and to record. Also bringing near to the camera of video SONY V200E the ultraviolet tube. Also with arch tesla high frequency, low voltage. (the one that is used for the application of aesthetic creams.
Results:
The best taking was the one made with the covered objective, without bringing near him tube UV neither arch tesla. This last it causes sparks in the image video, and it introduces a lot of chaotic noise of image, defocousing the small faces that truly had been captured perfectly with the first method, that is to say, to cover the objective.
In this totally darked take, there are continuous appreciating of many small faces to the bottom, without the big faces. Digitized these landscapes of heads, and increased in zoom, profiled, contrasted, intensified, cleaned of image noises, they offer faces with expressions and expressions, very defined, of people of all the ages, sexes, times and styles.
It is appreciated that the faces semibig are transparents, allowing to see in their back, across, other many smaller faces, like in second and third planes, situated in differents colors´areas as selecting colors channels visuallizations apart.
This mosaic of 20 portraits was made with the technique of recording in the total darkness, and the accustomed digitalization and it improves with computer programs.
It could be an electromagnetic emission, non optics. They seem the faces to be part of a dense electric cloud. They have a very marked green tone that takes more carnal aspect if we increase the intensity in the sofware image processor. The final images finish in B/N for the necessity of separating the color channels in the resolution increase that has been gotten with the reduced taking to the size of the tube of black light.
Our human genes don't process this electromagnetic emission visually because they lack of cromofores pigments at these levels, yes those of the red color and the green in the chromosome X, called protein opsina and molecule 11-cis derived retinal of the vitamin A; and those of the blue color, in the chromosome 7.
What substance would absorve these electromagnetic radiations?
The pigments absorve light when the protein opsina (chain of amino acids) it is excited electrically.
May be the SILICA of the 400.000 CCD´s photodiodes in the videocamera the answer?
Could an electromagnetic vision be obtained if they are injected in the globe ocular amino acids that absorvan to these frequencies?
The uracilo absorves in the syrius star's light (260 nm) with a strong aborción coefficient. (8.200) the pirrol in a band of 200 to 350 nm, coefficient of absorption of 15.000 at 300.
Notes: I have just read (9 of Julio 2000) in a treaty of clinical gerontology that the hallucinations of old people don't keep relationship with the insanity. They simply happen when the physical view deteriorates for waterfalls, partial blindness or retina extirpation. It is a fact very commented in occult treaties that, when a physical sense deteriorates, the electromagnetic vortexes of the astral body ascend of vibration, and the sense is sutilized, ascending in levels and functions. Maybe the ccdor the magneticcapstan head of the camera, and the iron tape capture visions of clouds of electrons agglutinated by magnetic fields, like it happens with the optic nerves of the sensible old men, to that which the medicine of the XIX century called " hallucinations ". It also happens the same thing when it is caused in the total darkness the visual " chaos ", using fosfenos.
Will certain be the belief that the pineal, meetly trained gland (by means of the physical blindness), can it capture the light of the other world? She is the responsible one (because it contains iron) of the magnetic routes of the migratory birds.
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Recordings of reports of TV
Digitized frames of some reports emitted in TV on attacks terrorists.
This is one of the funerals of victims of ETA. A face appears to natural size in the color gold of the flag:
Also in this, on the head of the corpse, after to filter and to invest in the computer an iridescence color that stains over the asphalt, but MOVING:
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Bibliography and consulted sources:
The Genetic Code. Isaac Asimov. Library Very Interesting Scientific Popularization. frame and Janés. 1995
Ultraviolet-visible Espectrografía of Compound Organic. Box of Savings of Córdoba.
The Blood. Special of the Magazine Scientific World. n§ 137
The Energy of the atom. Manuel Acero, Ildefonso Irún. Salvat Editores. Barcelona 1985
Biochemistry. Cantarow, Schepartz. Ed.Interamericana, México.1967.
Atlas of Astronomy. I. Puig, S.J. Editions Jover. Barcelona 1987
Cosmos. Carl Sagan. (About Kepler and their theory of the Music of the Spheres)
Astronomy of the Ultraviolet End. Have Investigation and Science October 1994
The Color of the Double Stars. Have Tribune of Astronomy. nº 111 (On the zodiacal connection of the chromatic wheel of 12 colors)
The Vision of the Colors. Have Scientific World. n§ 155
Bubbles that Transform Sound into Light. Investigation and Science. April 1995.
Visi¢n, light and Color. Editions Anaya. Madrid 1985
Cinema, television Technical of Realization and Production in Television. G. Millerson Official institute of radio and television. RTVE. Madrid 1989.
The Illumination in Television. G. Millerson. Official institute of radio and television. RTVE. Madrid 1988.
The Grail. Quest for Eternal the. John Matthews. Thames & Hudson. London 1991
The Blood and the Shroud. Ian Wilson. The Free Press. New York 1998.
What the Deads Counted me. José Antonio García Andrade. Editions Topics of Today. Madrid 1994
Clinical gerontology. Laura L. Carstensen. Martínez Roca.
THE Astral Plane and the Mental Plane. C.W.Leadbeater. Edicomunicación S.A.Barcelona 1986.
Spanish society of Investigaciones Parapsicológicas
Manuel Urosa´s web page, psychic pictures veteran researcher, in english with some interesting recordings at historical monuments in Egipt, Córdoba, Toledo, Greece... Lot of curious images on it. Recomended.
What is the Instrumental Transcomunicación?
Alfonso Galeano explains in depth the classic method to obtain psychoimages (using the feedback camera-monitor TV). A complete and scientific exhibition.
Luis of the Source: files of images and anomalous sounds. Links. (Files EVP and ITC.) On English version too.
Sara's beloved and subtle opinions.
San Graal School for Sacred Geometry They give Winter (specialty in DNA, DNA)
The oils, loaded with psychoimages, born of Julia Mendoza's artistic magic , psychic Painter.
Transcraneal Magnetic Stimulation (hypothesis has more than enough resurrection possibility)
Matter Structure as taught by spirits A text shareware of certain value, on the theory of the quantum relativity, the particles and the antimateria, independently of if it has been or not dictated by the spirits.
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My gratefulness to all the collaborators.
Copyright F.J. Chacón. Málaga. June of the Year 2.000.
last actualization august 2005
